Bollywood is not facing one problem. It is facing many at once. Big films want bigger screens, bigger prices, bigger music, and bigger mythologies. Theatres want better terms. Audiences want spectacle, but they also spot recycled ideas fast. That tension is now showing across the industry. At the centre of it is Ramayana. Around it are updates on RC 17, Love and War, Khalnayak Returns, Akshay Kumar’s next with Priyadarshan, Yuvraj Singh’s biopic, and the mixed response to the

Ayushmann Khurrana playing a memory-lost Pakistani spy who turns into an Indian patriot is the kind of premise that demands attention. The trailer sets up pure chaos. A spy enters India. An accident wipes his memory. He forgets who sent him. Then he starts fighting for the other side with full patriotic energy. That is a wild comic switch, and the trailer knows it. Udta Teer is not trying to be a quiet spy drama. It is aiming for loud laughs, sharp one-liners, messy action,

Some teasers look unfinished. Some look rushed. And then there are teasers that make people pause and ask, “How did this get approved for release?” That’s the kind of reaction surrounding Mahakavya Shri Ram Katha, a new cinematic take on the epic that has suddenly become a talking point online. Not because it arrived with a grand announcement, huge stars, or record-breaking scale. It’s getting attention because many viewers feel the teaser looks shockingly weak, especially f

Some devotional songs don’t need to shout to leave a mark. “Jai Jai Ram” arrives with that quiet confidence. It doesn’t try to win you over with noise, shock value, or oversized spectacle. It leans on melody, emotion, familiar faith, and a visual world that feels rooted. That’s probably why the song has landed so strongly. Released on the auspicious occasion of Ganesh Chaturthi, the track from the much-awaited cinematic adaptation of the epic Ramayana instantly became a talki

The hype is real, but the film does not fully cash it in. Haiwaan gets attention because of one strong idea: a mainstream star stepping into a darker, cleaner villain space. No comic relief. No moral excuse. No soft landing. That choice gives the film an edge from the start. The bigger question is simple. Does the film make the most of it? The answer is mixed. The casting works. The mood works. The core thriller setup works. The film loses power when the writing stretches too